Classical furniture is not more important to culture

Not heavy, art, rhyme, but only heavy material, is the sadness of the development of the mahogany industry

Chinese classical furniture is not only a living tool that carries Chinese people's living habits and regional culture, but shows the Chinese in terms of its design, the various lines of yin and yang and the application of various carvings. Confucianism and Buddhism and Taoism culture. The classical mahogany furniture shows the quality and virtue of China for thousands of years with its different regional culture and different manufacturing characteristics. In terms of materials, from the development of eucalyptus and white wood to the yellow and purple of the Ming and Qing Dynasties as the carrier of Chinese furniture, the Chinese classical furniture culture has continued to develop, which is one of the important factors for the Ming and Qing furniture to reach a higher peak.

The main material of red rosewood appeared in the middle of the Qing Dynasty. At that time, it was used as a substitute for red sandalwood. Its credit was to continue, expand and promote the development and popularization of classical furniture.

However, by the end of the Qing Dynasty, especially in the later period of the Republic of China, many inferior old mahogany furniture appeared, and the first three items of the four elements of shape, art, rhyme and material were ignored and trampled. As a traditional furniture, not only the length of its age, but also the completeness of its styling, craftsmanship and even preservation. The current appearance of too heavy material and neglect of styling, craftsmanship and even cultural connotation is really the sorrow of the mahogany industry. Wasted resources.

The intermittent inheritance of Chinese furniture culture lies in that it is the carrier of the times civilization

Classical furniture is not only ancient but also in the code, not only material but cultural, and its lines are suitable for the function of the furniture, are very particular. In other words, the consistency and accuracy of the function of classical furniture and the culture it carries are not sloppy. Without these, even the furniture of huanghuali is worthless.

Chinese mahogany classical furniture not only has the use value of environmental protection, low carbon, and passage, but also has the cultural value of cultural education and inheritance of Chinese civilization and wisdom. By bringing together the classical homes with typical regional cultures of various generations, it is not difficult to see the characteristics of economy, culture and even civilization in each era. Furniture writes and records the history of China's development.

Is the history of civilization in China 7,000 years old because of the shortage of wood such as huanghuali and red sandalwood? Is it not acceptable for the red rosewood to replace the red sandalwood in the middle of the Qing Dynasty? If we want to inherit the Chinese furniture culture intermittently, in the material The development of the type and the development of the Chinese furniture culture is inevitable and one of the important factors for the Chinese furniture culture to enter more families.

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